<!DOCTYPE article PUBLIC "-//Presses de l'Universite de Montreal//DTD PUM v. 1.0//EN" [

<!ENTITY % ISOnum PUBLIC "ISO 8879:1986//ENTITIES Numeric and Special Graphic//EN">
<!ENTITY % ISOpub PUBLIC "ISO 8879:1986//ENTITIES Publishing//EN">
<!ENTITY % ISOtech PUBLIC "ISO 8879:1986//ENTITIES General Technical//EN">
<!ENTITY % ISOdia PUBLIC "ISO 8879:1986//ENTITIES Diacritical Marks//EN">
<!ENTITY % ISOlat1 PUBLIC "ISO 8879:1986//ENTITIES Added Latin 1//EN">
<!ENTITY % ISOlat2 PUBLIC "ISO 8879:1986//ENTITIES Added Latin 2//EN">
<!ENTITY % ISOamso PUBLIC "ISO 8879:1986//ENTITIES Added Math Symbols: Ordinary//EN">
<!ENTITY % ISOgrk1 PUBLIC "ISO 8879:1986//ENTITIES Greek Letters//EN">
<!ENTITY % ISOgrk3 PUBLIC "ISO 8879:1986//ENTITIES Greek Symbols//EN">
%ISOnum;
%ISOpub;
%ISOtech;
%ISOdia;
%ISOlat1;
%ISOlat2;
%ISOamso;
%ISOgrk1;
%ISOgrk3;

<!ENTITY surfaces SYSTEM "../../slogo.jpeg" NDATA JPEG -- Logo Surfaces -->
]>


<article>

<front>

<figgrp>
<title>Logo</title>
<fig name="surfaces">
</figgrp>

<titlegrp>
<title>Thinking Feminist Thought</title>
<subtitle>Roundtable 5</subtitle>
</titlegrp>

<authgrp>
<author>
<fname>Yung-Hsing</fname>
<surname>Wu</surname>
<aff>
<orgname>Indiana University</orgname>
<city>Bloomington</city>
</aff>
</author>
</authgrp>


<pubfront>

<artid><emph type="3">Surfaces</emph> Vol. VII.115 (v.1.0A - 28/06/1997)</artid>

<cpyrt>
<cpyrtnme>
<orgname>Copyright for texts published in <emph type="3">Surfaces</emph> remains the property of authors. However, any further publication should be accompanied by an acknowledgement of <emph type="3">Surfaces</emph> as the place of initial publication.</orgname>
</cpyrtnme>
</cpyrt>

<issn>1188-2492</issn>

</pubfront>

</front>


<body>

<section>

<p>This piece begins as a reflection on the simple
phrase, "feminist thought." It does so because it seems
to me that one response to "Feminism Beside Itself"
might take not just the form of reflection but might
also take (however successfully) thought as an issue
for consideration. Of the many paradoxes that have
been and continue to be cited around the signifier
"feminism," there perhaps is none so basic as the one
residing in the phrase "feminist thought." Much used
and frequently appealed to, the words "feminist
thought" are those that one reads and types easily,
words familiar to eyes and fingers alike. They appear
in articles, books, and anthologies devoted entirely to
feminism as well as in sound bytes and references
that cite them in order to take the pulse of
contemporary society. But for all this familiarity, there
are very profound ways that "feminist thought" is
nothing if not unfamiliar, strange, or even
contradictory. Grammatically speaking, "feminist"
qualifies "thought," it brings to thought the qualities of
feminism, but what exactly is the result and logic of
this combination? What does thought look like when it
encounters feminism? After all, feminism has been one
institutional and intellectual place where the very hold
on thought (and what one understands thought to be)
exerted by logocentric culture has been attenuated and
complicated.</p>

<p>To put it another way, feminist thought is
supposed to be somehow different from the
philosophical and epistemological models that have
preceded or provided it with some foundation. Not
merely comprised of different content or ideas,
feminist thought becomes on this account
thought/thinking with a difference. Yet this emphasis
on difference has frequently resulted in precisely an
approach whereby the operating presumption is that
feminism knows what difference is. Here the difference
of feminist thought becomes its concentration on and
inquiry into the question of difference. Difference takes
on the quality of that which feminism can and must
talk about; difference acquires the status of a subject,
of feminism's subject in particular.<noteref rid="note1">1</noteref>
<note id="note1"><no>1</no><p> This claim holds true more generally for contemporary critical theory as well. It is  now a common gesture in theoretical work  to mark difference itself as the end: as the end to which theories of political representation should aspire, as well as the end of the subject posed by the Enlightenment.</p></note>

 As assumptions,
these 
<pages>/pp.&nbsp;4-5/</pages>
 have proven to be dangerous and
generative at the same time. Dangerous, in the sense
that presuming to know what difference is
characterizes feminism and feminist thought as
unyielding and dogmatic&mdash;as all too certain in its
claims and thereby all too inflexible in its agendas.
Generative, insofar as a knowledge and awareness of
difference has compelled feminism to pay heed to its
assumptions about constituency and the politics of
representation and community.</p>

<p>Combined, these two concerns with
difference&mdash;the dangerous and the generative&mdash;result in
what might be called the dangerous generations of
feminist thought. By this I mean that feminism's
insistence on difference has made the project of
feminist thought a self-threatening and self-perpetuating
endeavor. Moreover, the insistence on difference has
come increasingly to register as feminism's
preoccupation with making a difference and how that
difference might or might not be made through
thinking.</p>

<p>This last statement should be broken down
further. First, to read an insistence <emph type="2">on</emph> difference as a
preoccupation <emph type="2">with making a difference</emph> suggests an
implicit ethics to feminism and to feminist thought
specifically. Second, to say that making a difference
preoccupies feminism is in many ways to represent
feminism as setting out on a journey, with its progress
and contributions measured out incrementally. The telos
posited by this <emph type="2">Bildungsroman</emph>-like journey assumes that
there is some definitive point at which feminism will
have arrived and know that its job is done. While
this kind of narrative can make apparent that
feminism has changed and has contributed to the
changes that have marked history, this kind of
understanding is also what enables commentators to
coin a phrase like "post-feminism." Third, that feminist
<emph type="2">thought</emph> should have a part in this endeavor returns me
to my initial question about the issue and status of
thought. Especially in terms of feminism, which has
addressed consistently the 
<pages>/pp.&nbsp;5-6/</pages>
 theory/practice
disjunction, this emphasis on thought is crucial.  How
does feminist thought&mdash;itself presented as different from
other modes of thought&mdash;contribute to the project of
making a difference?</p>

<p>One way to begin to answer this question is to
consider the ways in which feminist thought gets
conceptualized. In doing so I want to turn my
attention to the topic of the last panel "The Futures
of Feminism?" The reason for this turn is simple: that
panel, or at least its subject, functioned throughout as
one of the conference's main preoccupations. On this
panel the open-ended, interrogatory "futures" of
feminism held out the promise and possibility of
making a difference. The "futures" of feminism were in
this way always a given; they were expected and
anticipated as concerns that the conference would of
course have. Chronologically last, these futures
nonetheless preceded discussion and conversation.</p>

<p>The impulse of this particular panel, however,
was to articulate these possible futures, to be
deliberate and specific about the question of what
feminism needs, or has yet to do. From characterizing
the role of a now-institutionalized feminism to asking
what relations feminism can or should have with
metaphysics, this panel had a double task: to direct
attention <emph type="2">to</emph> the future as well as to consider how to
turn that attention <emph type="2">into </emph>practice, to manifest the future.
In this doubled light, that the subject of a "<emph type="2">new</emph>
universalism" should receive a good deal of attention
was hardly surprising (my emphasis), as "new" points
temporally to the difference that the future might hold
for feminism.</p>

<p>More importantly, however, "new" evoked
<emph type="2">conceptual</emph> difference concerning the status of thought
and thinking. By that I mean that "new" attests to a
process of thinking, to an approach toward thinking
that is not solely a matter of reflection nor the
resolution of some problem. Earlier I have described
feminism taking and thinking of difference as its
subject, and indeed that appropriation has been a
great part of feminism's impact. Here, however, I am
describing a situation in which thinking itself comes
under scrutiny. Feminist thought occupies the position
of scrutinizing thought in order for itself to think. In
this way, 
<pages>/pp.&nbsp;6-7/</pages>
 it takes part in, although is not
wholly constrained by, a philosophical discourse that
describes the relations between thought and
philosophy.</p>

<p>For one, the scrutiny of thought means that
feminism must address the limits of the concept. As
Theodor Adorno notes in <emph type="2">Negative Dialectics</emph>, the very
idea of the concept belongs to the realm of philosophy
even as it poses a threat to philosophizing.<noteref rid="note2">2</noteref>
<note id="note2"><no>2</no><p> Adorno's notion of the concept constitutes one of  his  most important responses to Hegel.  In particular, Adorno calls the dialectic the concept of Hegelian thought, thus casting the dialectic as a totalizing  model of the concept.  </p></note>

 Thus
situated, the concept marks the line between
philosophy's foundation and its limit, a line that
feminism can both respect and cross. Adorno
claims&mdash;as Kant does in <emph type="2">The Critique of Pure Reason
</emph>&mdash;that because knowledge arrived through concepts
must be mediated, no concept can be identical with
its object. This non-identity, far from being an
indication of inadequacy, refers instead to both the
concept's limitations and what it does not limit. For
Adorno the introduction of such nonidentity means the
hope that philosophy can continue conceptualizing, even
as it must depend on the concept. I am suggesting
that feminist thought, in understanding and regarding
thought as a philosophical concept, both provokes a
critique and continues an elaboration of thought
similar to Adorno's.</p>

<p>Having said that, the question to ask is: by
conceptualizing a "new universalism"&mdash;described as a
project to <emph type="2">rethink</emph> democracy and the relationship
between the universal and the particular&mdash;is feminism
in a position to make good on that promise of
critique and elaboration? Or to put it another way:
where does feminist thought need to be in order to
think in this manner? This question, by making
thought a matter of <emph type="2">situation</emph>, suggests that both
feminism's definition of thought and the definition of
feminism have to do with a response to a "call."</p>

<p>I want to characterize here two of the
responses to the proposal of new universalism in order
to get at more specifically the intersection of thought,
feminism, and difference. First, 
<pages>/pp.&nbsp;7-8/</pages>
 the problem
of "new." One comment suggested that the call for
new universalism was just that&mdash;only a call, neither
specific nor particular enough to signify. As such,
"new universalism" is too undeveloped, unformed in
the sense that it possesses too little specific content
that would fill in the outlines of a rethought
democracy, or a politics that would pay heed to
differences. Put another way, "new universalism" is
<emph type="2">only</emph> a form; it lacks substance and actuality.
Feminism could hardly rely on or turn to something
that has yet to be formulated or tested. Secondly, if
the "new" of "new universalism" seems untrustworthy,
"universalism" looks even less so&mdash;even if, or perhaps
exactly because, it is to be modified by some sense
of newness. Several participants thus pointed out that
the philosophical heritage and underpinnings of
universalism &mdash;for instance, the abstraction of the
subject and the idealization of such formal
abstraction&mdash;could hardly be forgotten, let alone
changed. Not forgetting becomes in this context an
injunction to be cautious against the rhetorical appeal
of newness and radical change.</p>

<p>What emerges here is not solely a critique of
new universalism, but also a situation whereby "new"
and "different" are aligned and then turned aside
because they cannot be thought specifically. The
possibility that new universalism would be different (in
all the "right" ways, e.g., in the case of the subject,
would new universalism remember that not all subjects
are the same) from universalism is held up against the
risk that "new" might not be able to intervene
concretely enough. Yet this lack of specificity is in
some ways exactly the point, since a call for some
"new" means the absence of knowable particularity.
Because it has not one specific referent (aside from
time), this "new" can only be premature and
anticipatory. The critique of new universalism&mdash;that it
is just a call&mdash;thus reveals a desire for and anxiety
about certainty.</p>

<p>I want to be as clear as I can here. By saying
that desire and anxiety underlie the critique of new
universalism, I am not suggesting that such a critique
is misguided. Nor am I claiming that new universalism
is safe or secure from that critique. To do either
would be to take sides, with the underlying
assumption 
<pages>/pp.&nbsp;8-9/</pages>
 that feminism's future course is
knowable or that one can know better for feminism.
Rather, it seems to me that the feminist concern to
foreground difference&mdash;as an attribute that marks
specificities, as a political goal to be sought after and
realized, and as an elaboration of thought&mdash;allows it to
entertain the possibilities of something like a new
universalism while <emph type="2">maintaining</emph> a critical relation to
those possibilities. Not simply critical distance, through
which feminism might remain, or attempt to remain,
untrammeled by new universalism, critical relation here
describes a state of affairs in which feminism takes
seriously the uncertainty of thought.</p>

<p content="pages">
<pages>/p.&nbsp;9/</pages>
</p>

</section>

</body>


</article>

